Johanna Bordewijk-Roepman (1887–1972) was a Dutch composer and pianist, notable for her contributions to classical music in the early to mid-20th century. Her work primarily falls within the contemporary classical genre, and she is recognized for her innovative use of harmony and form. Bordewijk-Roepman studied at the Amsterdam Conservatory and later in Paris, where she was influenced by prominent composers of her time. Among her notable works are "Sonata for Piano" (1920), "Concerto for Piano and Orchestra" (1949), and a series of chamber music pieces that showcase her lyrical style and intricate counterpoint. Her impact on music extends beyond her compositions; she was also an advocate for women's contributions to classical music, helping to pave the way for future female composers in a predominantly male-dominated field. Bordewijk-Roepman’s music reflects a blend of traditional and modern elements, and her legacy continues to inspire musicians and composers, particularly in the Netherlands. Despite being less known internationally, her work is celebrated in Dutch music circles and contributes to the rich tapestry of 20th-century classical music.